«Возможные миры Тарантино»: анализ методологических подходов

Abstract

Nataliia Borodina "THE POSSIBLE WORLDS TARANTINO": AS ANALYSIS OF METHODOLOGICAL APPROACHES The article is devoted to analysis of the working Quentin Tarantino. According mainstream researches, Tarantino is a classical agent of pop culture. But each new Tarantinos film have a rebuttal against the current research concept. Therefore, the Great quantity of bloody scenes is a visite-card of his film and many researchers think that Tarantino is a follower of the "Philosophy of cruelty“. The commercial success of the Director allowed to explore his art as the theorists of mass culture. But violence and populism are rather the instruments of Tarantino, too often in his films he self-mocks in these techniques, mechanics and shows their absurdity. The using of aesthetical approach can reveal that Tarantino is close to the postmodern "simulacra of history" and links to a non-existent source. The use of ontological approach to the study let to discover the roots of Buddhist philosophy Tarantino, the justification of the idea of Karma. Thr epistemological approach allows you to build the logic of "possible worlds" which is the universe of Tarantino. The ethical approach allows us to see in the works of Tarantino is the overcoming of biological nature of man, but not abandoning it. This idea is achieved with a special understanding of the category"justice". In possible worlds celebrity justice appears as a symbol of faith in that culture will be above the hate. Keywords: Tarantino, simulacra, postmodernism, possible worlds