Аннотация:
The search of scientists of the XXI century is increasingly focused on a sphere that is not available for direct observation - the sphere of emotions. Therefore, the issue of the emotive component of a literary text at different levels relates to priority areas not only of modern linguistics. Emotions represent the linguistic picture of the artistic universe of the poet, reveal the inner world of his characters. The existential-sensual sphere is a manifestation of the subjective attitude of a person to the surrounding reality and himself in the mental space of the artist.
The aim of the article is an analysis of the emotive lexis “Heroid” by Ovid, a work of the Roman poet, in which the inner world of mythological heroines is revealed emotionally. Erotic frustration is the dominant motive in women's experiences caused by unforeseen circumstances. The results of the study indicate that unfortunate love is the main stimulus for the letters of abandoned women in “Heroids”. It is destructive - with a happy beginning and an unlucky ending, expressed by a large group of emotional tokens: pain, separation, grief, betrayal, useless oaths, the ill-fated Hymen, jealousy, death, suspicion, revenge, old alone, etc. Emotionality and expressiveness are the defining features of Heroic style of art, an important factor in influencing the reader, the psychology of his feelings.
Ovid subtly reproduces the spiritual world of a loving woman in the inexhaustible wealth of emotional manifestations and unique individual identities. The main object of unfortunate love in “Heroids” is a married woman or hetaera. Ovid is a vivid representative of the sensually-earthly Eros. The ancient man, for whom the idea of sin was an extraneous, was not embarrassed by the sensual nature of his love in various forms, focusing all his interest on earthly existence, adored desires. However, the sensual Eros of Heroid with not the happy ending is aesthetically beautiful.
Having refused from the usual August poetry themes related to the historical past of Rome or the events of his personal life, Ovid in Heroids turns exclusively to mythological themes, popular in Neo-Téric poetry or in Hellenistic poetry, depicting the heroines of Greek mythology and Sappho herself in accordance with the psychology of contemporary Roman women. Ovid's “Heroids” reflects to the fact that the psychology of a loving woman has not changed much since the time of the Roman Empire.
